British Folk Art at Tate Britain

This article is published in Trebuchet Magazine.

Bellamy Quilt, 1890-1, by Herbert Bellamy and Charlotte Alice Springall

Bellamy Quilt, 1890-1, by Herbert Bellamy and Charlotte Alice Springall

Gathering together the 200 items, including paintings, textiles and sculptures, for this British Folk Art exhibition took the curators to more galleries across the country than normal, Penelope Curtis admitted at the Press View. The staggering range of geographical locations adds to the spectacular diversity of artworks and objects on display, indicating the broad spectrum of art objects that make up ‘folk art’.

This genre is particularly undefined in Britain – indeed it is much more of a discipline in America – but instead of attempting to corner off definitions, the curators are keen for this show to be seen more as a “proposition” of folk art that is made up of objects that have histories in galleries. Thus, there are also particular viewing histories acknowledged by the exhibition; Curtis claimed that having the British Folk Art show on at the same time as the Kenneth Clark exhibition is appropriate because they both have a lot to do with taste. Notions of class and gender therefore echo throughout these two summer shows and introduce other important themes: that of surplus time and surplus materials, which together, point towards the making context as an ultimate concern.  Continue reading

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Beyond the Object: Dale Chihuly’s Glass Sculptures at the Halcyon Gallery

This article is published in Trebuchet Magazine

Claiming that he was always “interested in space”, American artist Dale Chihuly has enthusiastically adorned the entire interior of the Halcyon Gallery on New Bond Street with his large hand-blown glass sculptures. These works and installations are collectively titled Beyond The Object, which seems appropriate for Chihuly’s attention to space and architecture surrounding his artworks. From the street, the objects glint in enticingly strong colours, and once inside, they completely absorb you.

The vibrant glass sculptures cover – and at times seem to crawl over – the walls, floors and windows in fantastical displays of colour, energy and light. Each is reminiscent of sea creatures: limpets, shells, jellyfish, seaweed, or anemones. Yet they also take on abstract shapes, stimulating one’s imagination and engagement with form over detail.

The shadows cast by the three-dimensional objects are definitely important for each sculpture and they work in a number of ways. They extend the spaces of the sculpture, highlight and compliment the glass colours and magnify some of the details on the sculptures’ surfaces. The shadows also challenge assumptions that glass sculptures are inherently static objects, because, of course, the shadows change and move throughout the day.  Continue reading

One Day in the City Festival at UCL

This article is published on the UCL Art Museum blog

Balloons in the south cloisters at UCLOne Day in the City Festival taking place on Friday 13th June brings together a celebration of literature, art, music and culture in London. The framework is broad. Nick Shepley, the founder and organiser of the festival, and Teaching Fellow in English Literature at UCL, acknowledges this and says he has not tried to narrow it down to specific themes: “It is about opening out and trying to bring people to something that is a simple celebration of the city, its literature and art, and its cultural richness.”These are areas people work on everyday across various departments at UCL with their own audiences. Nick wants to harness this, and “break down the potential separation of audiences with the One Day festival, encouraging a wider demographic to come along.”

The festival’s centre will be in the UCL South Cloisters, decorated with a fun and artistic skyline created through lighting and architectural constructions. There will also be a multitude of balloons lining the Cloisters and leading the way to various events. These events will include a debate about taboo language with India Knight (journalist and author), Will Self (novelist) and Tim Clare (poet), a Caribbean carnival and seminars on topics related to creativity in London. In the UCL Art Museum there will be a talk by one of the Slade students, Helena Hunter, a poetry workshop and live performances as well as Slade students distributing prints of their work. For a full list, see the One Day website here.  Continue reading

Matisse Live: Tate Modern

This article is published in Trebuchet Magazine

The Parakeet and the Mermaid

The Parakeet and the Mermaid

On Tuesday 3rd June, Tate achieved its first live broadcast to cinemas across the country with Tate Modern’s Henri Matisse: The Cut-Outs exhibition. This was definitely an evening of experimentation and the start of a new way of experiencing art at the Tate. There were high expectations, excitement and some nerves for those participating in the event and members of the public eagerly awaiting it in the cinemas.

Virtually led through sections of the exhibition, the audience was taken on an intimate private view. The exhibition rooms seemed uncanny without their normal heaving crowds, and the format was an ideal way to take in the cut-outs – artworks that demand lots of space in which to be viewed, as well as inviting movements from the spectator within that space. Neither the art nor the film encourages you to stay still.  Continue reading

The 6th Annual Slade / UCL Art Museum collaboration

This article is published on the UCL Art Museum blog

‘Getting close but then again not close at all’ by Olga Koroleva

‘Getting close but then again not close at all’ by Olga Koroleva

The themes, materials and presentations of the annual collaborations have varied immensely, and this year there is a great diversity within the exhibition itself. The range of media is particularly striking, as is the way digital technologies have been used and portrayed to give new experiences of space – particularly the spaces of the UCL Art Museum itself.

There are four time-based media works and one beautifully crafted light box installation, giving emphasis to technological media within the show. However, an array of oil paintings, intricate drawings, etchings and even a bronze cast are also part of this exhibition.  Continue reading