Review of ‘Ahead of the Curve’ exhibition, on contemporary Chinese ceramics

My review of ‘Ahead of the Curve: new china from China’, a touring exhibition on contemporary Chinese ceramics, is published on a four page spread in the latest ‘Craft Arts International’ magazine, issue no. 94. This exhibition started at The Wilson, Cheltenham’s art gallery and museum, in October 2014 and then moved on to Bristol Museum & Art Gallery, before going to The Potteries Museum & Art Gallery in Stoke on Trent.

Cover page to Crafts Art International, issue no. 95

Cover page to Crafts Art International, issue no. 94

First page of my article in Craft Arts International

First page of my article in Craft Arts International

Through Our Hands: The 2nd magazine

Through Our Hands magazine issue 2Through Our Hands, an online platform for contemporary quilts, art and craft, has just published the second issue of their magazine with beautiful illustrations of artists’ work. The editorial team includes Annabel Rainbow, Laura Kemshall and Linda Kemshall.

My blog post about the arrival of their first magazine back in May will tell you more about the project’s background and contains a link to the first issue.

I have been invited to contribute a regular column and my latest article is about quilts in Tate Britain’s Folk Art exhibition on pages 51-56.

The link to the magazine is here.

 

 

Through Our Hands: New magazine on contemporary art & quilts

Through Our Hands magazine front coverThrough Our Hands is an online platform developed by Annabel Rainbow and Laura Kemshall promoting contemporary artists and makers, specialising in quilts. One of their aims is to help quilting gain a wider and refreshed recognition in the wider world. The project’s beginnings coincided with an exhibition on quilts, featuring Annabel’s work, at Leamington Spa Museum and Art Gallery in 2012, which I reviewed for The University of Warwick Student newspaper.

They have just launched their new, online quarterly magazine featuring artists’ work, interviews with makers, tips on quilting techniques and exhibition features. I was very pleased that Annabel asked me to contribute to the magazine with a piece on the Matisse exhibition in London.

The link to the magazine is here.

 

 

Ruin Lust: Tate Britain

Published in Trebuchet Magazine

A short title for many art exhibitions these days and yet one that promises, or is suggestive of, so much. Notions of desire and aesthetic pleasure immediately come to mind, offering up an exploration into different types of desire in the themes and subjects of the work displayed. Perhaps less obviously, ‘Ruin Lust’ also directly references the book by Rose Macaulay called ‘Pleasure of Ruins’ from 1953, which looks at the nostalgic pleasures of monuments and ruins of civilisation across different periods and cultures.

Not having been to a Press View of an exhibition before, I was eager to see how the journalists would ‘make’ something out of ruins, how they physically go about constructing stories – and mapping histories – out the wreckage of a past presented in specific, and often political, contexts. This idea of creation out of destruction is, of course, one of the prominent themes of the exhibition itself. An important part of this aesthetic and potentially political idea is the notion that ruins can point towards futures, potentials, opportunities and constructions of the new, as well as to endings, such as the end of Empire (a particular trope for which ruins were used in the 18th and 19th centuries), failures and even degeneration. In this way, ‘Ruin Lust’ aims to include investigations of both obvious and more surprising ways in which ruins have been used from the 16th century onwards. It is both a serious and humorous project. This sense of duality is something the exhibition cultivates in terms of themes, artists and curatorial decisions of presentation.  Continue reading