This article was published on Trebuchet Magazine Website.
Rainmaker, the only contemporary Native American art gallery in the Uk, has collaborated with the Native American Indian artist Sarah Sense and a Project Curator of the British Museum, Dr Max Carocci, to bring together the exhibition Weaving Water in Bristol. The work combines traditional weaving with photography.
This exhibition explores the notions of both forced and chosen migration, and the impact this has had on culture and one’s sense of identity or feelings of belonging. Both communal and personal issues are suggested in this project, which is centred the on sweeping movement of people from continent to continent. In particular, the personal aspects of the work are manifest in the artist’s concentration on the migration and movement of her own tribe, the Chitimacha, from colonial times to the present day.
During her research for Weaving Water, Sense discovered that the French took her tribal ancestors as slaves to the Caribbean colonies (before the African slave trade was started). This is a new discovery for many because this reverse slave-trading route has been written out of history. Dr Carocci researched into this forgotten history and edited the book Native American Adoption, Captivity and Slavery in Changing Contexts and the film Written out of History. Continue reading