Writing for ‘this is tomorrow’

Find my review of Andrea Luka Zimmerman’s exhibition at Spike Island, Bristol, on ‘this is tomorrow’:

http://thisistomorrow.info/articles/andrea-luka-zimmerman-common-ground

Title : Andrea Luka Zimmerman: Common Ground, installation view at Spike Island, 2017 Credit : Photos by Stuart Whipps, courtesy of Spike Island

Title : Andrea Luka Zimmerman: Common Ground, installation view at Spike Island, 2017           Credit : Photos by Stuart Whipps, courtesy of Spike Island

 

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Palestine: What Hope Peace?

This article is published in Trebuchet Magazine.

On the 14th of November, Bristol was given the opportunity to watch the first viewing of the film, “Palestine: What Hope Peace”, by activist and freelance journalist Kerry-Anne Mendoza. Bristol was an appropriate city in which to introduce her film not only because it is her home, but also because of the variety of ways that it has expressed its concerns for Palestine, including active societies at the university, a two-week occupation outside the BBC buildings back in July along with almost daily demonstrations in the city’s centre, and in particular the establishment of an innovative Palestinian Museum (where Mendoza’s film was shown).

Mendoza has been travelling to Palestine and Israel since 2002, interviewing locals and documenting the conflict and its effects, which she feels is never accurately revealed by the mainstream media. Her latest film, lasting an hour and a half, documents the catastrophes that took place in July and August of this year, which was catalysed by the kidnapping and murder of three Israeli men aged sixteen to nineteen.  Continue reading

One Day in the City Festival at UCL

This article is published on the UCL Art Museum blog

Balloons in the south cloisters at UCLOne Day in the City Festival taking place on Friday 13th June brings together a celebration of literature, art, music and culture in London. The framework is broad. Nick Shepley, the founder and organiser of the festival, and Teaching Fellow in English Literature at UCL, acknowledges this and says he has not tried to narrow it down to specific themes: “It is about opening out and trying to bring people to something that is a simple celebration of the city, its literature and art, and its cultural richness.”These are areas people work on everyday across various departments at UCL with their own audiences. Nick wants to harness this, and “break down the potential separation of audiences with the One Day festival, encouraging a wider demographic to come along.”

The festival’s centre will be in the UCL South Cloisters, decorated with a fun and artistic skyline created through lighting and architectural constructions. There will also be a multitude of balloons lining the Cloisters and leading the way to various events. These events will include a debate about taboo language with India Knight (journalist and author), Will Self (novelist) and Tim Clare (poet), a Caribbean carnival and seminars on topics related to creativity in London. In the UCL Art Museum there will be a talk by one of the Slade students, Helena Hunter, a poetry workshop and live performances as well as Slade students distributing prints of their work. For a full list, see the One Day website here.  Continue reading

Matisse Live: Tate Modern

This article is published in Trebuchet Magazine

The Parakeet and the Mermaid

The Parakeet and the Mermaid

On Tuesday 3rd June, Tate achieved its first live broadcast to cinemas across the country with Tate Modern’s Henri Matisse: The Cut-Outs exhibition. This was definitely an evening of experimentation and the start of a new way of experiencing art at the Tate. There were high expectations, excitement and some nerves for those participating in the event and members of the public eagerly awaiting it in the cinemas.

Virtually led through sections of the exhibition, the audience was taken on an intimate private view. The exhibition rooms seemed uncanny without their normal heaving crowds, and the format was an ideal way to take in the cut-outs – artworks that demand lots of space in which to be viewed, as well as inviting movements from the spectator within that space. Neither the art nor the film encourages you to stay still.  Continue reading

The 6th Annual Slade / UCL Art Museum collaboration

This article is published on the UCL Art Museum blog

‘Getting close but then again not close at all’ by Olga Koroleva

‘Getting close but then again not close at all’ by Olga Koroleva

The themes, materials and presentations of the annual collaborations have varied immensely, and this year there is a great diversity within the exhibition itself. The range of media is particularly striking, as is the way digital technologies have been used and portrayed to give new experiences of space – particularly the spaces of the UCL Art Museum itself.

There are four time-based media works and one beautifully crafted light box installation, giving emphasis to technological media within the show. However, an array of oil paintings, intricate drawings, etchings and even a bronze cast are also part of this exhibition.  Continue reading

Reflections on Time-Based Media Exhibition at UCL Art Museum

Published on UCL Art Museum blog website

Exhibition open 1 – 5pm Monday to Friday, until Friday 28th March

I am unique and so is everyone else (video still)This exhibition gathers together some of the most prolific time-based work from UCL Art Museum’s growing collection, which centre around the dependence upon and manipulation of technology with respect to time. The artists exhibiting are graduates from the Slade School and have each been awarded the annual William Coldstream Memorial Prize that selects outstanding achievements over the whole academic year. This accounts for the diverse collections of artwork on display, illustrating the eclectic variety of contemporary time-based media works.

It is a refreshing and new type of exhibition for the UCL Art Museum, completely immersed in technology, conceptual installations and time-based media techniques. You will be greeted by many television screens that allow for a sense of unity to the works and for you to make comparisons between the way some of the themes are expressed. The screens are also placed with enough distance for each piece to be absorbed in contemplative isolation. Intriguing sounds also drift around the gallery, enticing you to follow your senses and discover and explore their source.  Continue reading