In memory of Bristol architect Colin Beales

Bristol architect Colin Beales

Bristol architect Colin Beales

This information is on display at The Beales Bequest exhibition at The Ken Stradling Collection.

The collage of photographs

The photographs within the collage displayed in The Beales Bequest exhibition at The Ken Stradling Collection include some of the buildings that Colin designed or worked on during his career as a successful Bristol architect. Derek Balmer took many of the professional photographs of the buildings and their interiors.

Collage wall at Colin's old flat

Collage wall at Colin’s old flat

The images have been arranged in a collage formation, which is reminiscent of Colin’s way of working on architectural projects. It is also similar to the collage wall in his old flat at 19 West Mall. A photograph of this collage is featured. It provides a wide range of inspirational images, from furniture, sculpture and food, to even a cat.

The Dickinson Robinson building

The Dickinson Robinson building

 

The Dickinson Robinson Building, or 1 Redcliffe Street

The Dickinson Robinson Building, or 1 Redcliffe Street, was the headquarters for Dickinson Robinson Group (DRG) in Bristol, designed by its own architecture department and completed in 1963. Modern buildings were accepted for DRG’s factories, so they were eventually persuaded that a modern building for their headquarters would be appropriate too.  Continue reading

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Bertoia’s Diamond Chair in ‘The Beales Bequest’ exhibition

This article is published on The Ken Stradling Collection blog

Colin Beales sitting in The Diamond Chair

Colin Beales sitting in The Diamond Chair

Harry Bertoia, an Italian-American sculptor, university lecturer and furniture designer, created The Diamond Chair in 1952 for the firm Knoll International. It comprises of a series containing a small and large version of the chair, a chair with an raised back and a footstall, a child’s chair and a bar chair. The Knoll website refers to them as the ‘wire collection’, and this post illustrates the classic Diamond Chair, The Bird Chair and The Side Chair from this collection. The chairs are sculptural, sturdy and functional; they are surprisingly comfortable and supportive.

Most chairs in the mid twentieth century were made of wood, so it was relatively novel that a chair like Bertoia’s Diamond Chair was made with steel. This technique of using steel was familiar to Bertoia due to his experimental work as a sculptor. The fluid lines of the bent metal are pleasing to the eye and unusual in furniture design.

The chairs holds an interesting shape from all sides. Although wide, the spaces between the wires give it a quality of lightness and airiness, so it doesn’t seem to impose upon a space. This makes it an appropriate chair for a small or minimalist room.

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