This post is published on The Ken Stradling Collection blog
Jennifer Beales’s etching of Brandon Hill, Bristol
Dispersed among the beautiful array of objects in the current exhibition, The Beales Bequest, at The Ken Stradling Collection are clusters of Jennifer Beales’ own artworks. She made many oil paintings and etchings, particularly during the 1970s and 80s when she took printing classes at The Bristol School of Art. These illustrate domestic interiors, many of which were familiar or personal to Jennifer. There are also unusual views from windows and into art studios.
Most of the places depicted are in Bristol. Jennifer always had a little sketchbook in her bag to capture details around the city, as well as further afield. She loved travelling and her art reflects this; it often depicts picturesque Italian towns or countryside.
Oil painting of Tuscany by Jennifer Beales
Humour is another theme in Jennifer’s etchings, which is enhanced by their short and considered titles. For Jennifer, art was a creative way of socialising and having fun, as well as understanding the world around her and recording special moments. Some of the works that particularly stand out as being humorous are those illustrating cameos within art exhibitions. We eagerly stare at the etched figures that in turn thoughtfully consider Impressionist paintings within the frame of the print. This suggests a playful exploration of what it is to look at art and to be aware that we are its viewer. Continue reading →
This article is published on the UCL Art Museum blog
Slade students, artists and curious print-making novices both from within and outside of UCL got together for a Pop Up lunch-time talk by artist and UCL Art Museum Curatorial Assistant, Ling Chiu on 27th May in the UCL Art Museum. When she is not at the Museum, Ling works at a printmaking studio in southeast London, helping artists such as Ray Richardson and Peter Blake to create prints in screenprint, etching and lithography.
Jack Miller’s ‘Weird Tales’
Ling introduced us to fine art printing techniques, referring to the UCL Art Museum’s extensive collection of prints as inspirational examples. We were encouraged to look at a diverse selection before the workshop started, and then to reflect on them again after we had learnt about some of the printing techniques. This produced different engagements with the work, and was a fun way of relating techniques back to the art objects. The most popular print Ling displayed from the collection was Jack Miller’s ‘Weird Tales’ (UCL Art Museum 9239), which had a textured, velvet effect produced by combining flocking with screenprint techniques (think Andy Warhol meets 18th century floral wallpaper!). Continue reading →