Josephine Pryde exhibition at the Arnolfini

Arnolfini gallery guideI am part of the Young Arnolfini, an arts collective for young people in Bristol that works closely with the Arnolfini gallery. In response to the current exhibition at this institution, I decided to write a ‘reading list’ to collect together the literature it made me think about or that could be set in dialogue with it. This turned into more of a reflection piece. The section on hands is published in the Arnolfini gallery guide, and I have turned the other two parts into audio guides in collaboration with the rest of the Young Arnolfini group.

 

Selected reading list for Josephine Pryde’s exhibition, ‘These are just things I say, they are not my opinions’

Photography and Technology

The Image Culture in which we live has been foreseen by many writers, including Guy Debord with his 1967 book, The Society of The Spectacle. Moholy Nagy also predicted the power of images over the whole of society in his essay and theory, The New Vision, 1989. He states, “The illiterate of the future will be the person ignorant of the use of the camera as well as the pen”.  Continue reading

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Reflections on Time-Based Media Exhibition at UCL Art Museum

Published on UCL Art Museum blog website

Exhibition open 1 – 5pm Monday to Friday, until Friday 28th March

I am unique and so is everyone else (video still)This exhibition gathers together some of the most prolific time-based work from UCL Art Museum’s growing collection, which centre around the dependence upon and manipulation of technology with respect to time. The artists exhibiting are graduates from the Slade School and have each been awarded the annual William Coldstream Memorial Prize that selects outstanding achievements over the whole academic year. This accounts for the diverse collections of artwork on display, illustrating the eclectic variety of contemporary time-based media works.

It is a refreshing and new type of exhibition for the UCL Art Museum, completely immersed in technology, conceptual installations and time-based media techniques. You will be greeted by many television screens that allow for a sense of unity to the works and for you to make comparisons between the way some of the themes are expressed. The screens are also placed with enough distance for each piece to be absorbed in contemplative isolation. Intriguing sounds also drift around the gallery, enticing you to follow your senses and discover and explore their source.  Continue reading

How to Stop Worrying and Love (running)

KaiSyngTAN_Film_1

This interview is published on the UCL Art Museum blog

Working up to the event on Wed 26 Feb 6.30 – 7.30pm, held in UCL Art Museum.

On 26th February there is the chance to meet the artist and Slade School PhD Graduate Kai Syng Tan and take part in her experimental, multidisciplinary event based around the positive powers of running. This is the opportunity to learn about running as a potentially playful and subversive activity within an artistic framework.

Kai is sprinting forward with latest research that focuses on the body and its dialogue with technology and social media networks. Her website creatively communicates this unusual project, which is constantly evolving. Come expecting to be made curious, surprised and energized.

Intrigued to find out more before the event, I met up with Kai to talk about how her work explores notions of playfulness, natural endorphins and the meaning of life.

You have many different roles and identities, being an artist, educator and researcher. How do you see them interacting and influencing each other?

Many artists today have multiple identities. I have been an artist for nearly 20 years, but I have done many different things within this role. It involves showing my work in public spaces and online in spaces not always considered part of the art world. As a new media artist I have also had a parallel career; lecturing is how I bring home the bacon.  Continue reading