Reviews for The British Art Journal, autumn 2016

I’m very pleased to have two reviews published in the latest issue of The British Art Journal (autumn 2016). One of them is a review of Franny Moyle’s biography of JMW Turner, which was published by Penguin in the summer of 2016. My other article discusses the first publication produced about collaborations between contemporary artists known as The Arborealists, who focus on trees in their work. This book was published by Bristol publishers Sansom & Co.

 

 

 

 

 

Late Turner: Painting Set Free

This article is published in Trebuchet magazine. I wrote it after attending the Tate’s Press launch at the Athenaeum Club, London. 

‘Ancient Rome; Agrippina Landing with the Ashes of Germanicus’ exhibited 1839. Oil paint on canvas support: 914 x 1219

‘Ancient Rome; Agrippina Landing with the Ashes of Germanicus’ exhibited 1839. Oil paint on canvas support: 914 x 1219. Tate. Accepted by the nation as part of the Turner Bequest 1856

Turner. An artist that has inspired or angered many art historians, critics, journalists and art lovers from his day to ours. An artist who prompts firm and possessive statements about his life and work. Opinions of his character, art and styles rage – and range – radically. It is, then, a big deal that Tate Britain has decided to present a major exhibition on Turner, a new Turner.

One of the aims of this exhibition will be to dismantle the myths that still perpetuate around Turner today. Thus, the exhibition is appropriately entitled Late Turner: Painting Set Free. In light of this, the joy of this artist is that he inspires so much intrigue and the possibility for his art to be re-thought and re-investigated. He will never get old.  Continue reading